Poetic Rainbow: The Calligraphy of Wang Dongling

Poetic Rainbow: The Calligraphy of Wang Dongling

Calligraphy Performance and Artist’s Reception

Friday, 15 September 2017, 6 to 8pm

Exhibition Period

15 September – 27 October 2017

Hanart TZ Gallery

401 Pedder Building, 12 Pedder Street, Central, Hong Kong


Poetic Rainbow: The Calligraphy of Wang Dongling

Hanart TZ Gallery is honoured to announce the opening of Poetic Rainbow: The Calligraphy of Wang Dongling, a solo exhibition of works by eminent calligraphy master Wang Dongling, on Friday, 15 September 2017.

 

In celebration of the exhibition, the gallery has invited Wang Dongling to undertake a live calligraphy performance at the opening. We hope to bring everyone together to celebrate this special moment; please join us!

 

The theme Poetic Rainbow refers on the one hand to the use of colour in descriptions of nature and life in the writings of Tang and Song poets and in popular lyrics of the period. It also alludes to the unusual way Wang echoes the poetic themes through the use of colour in his calligraphy, employing colour pigments instead of ink, and often writing on coloured paper. The exhibition showcases the many facets of Wang Dongling’s exploration and practice in the art of calligraphy, whether in terms of spirit, medium or display.

 

The exhibition will feature a range of Wang Dongling’s latest pieces, including his unique Entangled Script. Entangled Script is the culmination of Wang Dongling’s lifelong pursuit of an art that is both universal and Chinese, forward-looking and firmly grounded in the past. Wang Dongling breaks away completely from the implied grid of traditional calligraphy, interweaving individual characters and entire columns into an amorphous field. As the text verges on illegibility, its linguistic meaning becomes an open question. The calligraphic lines take flight in their variations in texture and rhythm, and yet remain tenuously tethered to the text as musical performance is to score and meter.

 

Another highlight of the exhibition is a set of calligraphies written on transparent coloured sheets measuring two meters in height. Through interaction with the lighting of the space, the lines, texture, rhythm and momentum of the calligraphy are transformed into an encompassing realm of aesthetics, allowing the audience to experience the tension inherent in the “Entangled” calligraphy and its impact in public space.

 


CHENG Kwok Kong, ‘Years Flowing Like Water’, Entangled Script

2017

水墨 紙本 Ink on Paper

79 x 54.5 cm

SU Shi, ‘Butterflies Enamoured with Flowers’, Entangled Script

2017

水墨 紙本 Ink on Paper

79 x 54.5 cm

XIN Qiji, ‘Green Jade Table: First Full Moon of the Year’, Entangled Script

2017

Gouache on Paper

79 x 54.5 cm

DU Fu, ‘Quatrains’, Grass Script

2017

Ink on Paper

79 x 54.5 cm

James WONG, ‘The Bund of Shanghai’, Entangled Script

2017

Ink on Paper

79 x 54.5 cm

BAI Juyi, ‘Song of the River by Evening’, Grass Script

2017

Ink on Paper

79 x 54.5 cm

TANG Xianzu, ‘Peony Pavilion: Introduction of the Thrush’, Entangled Script

2017

Ink on Paper

79 x 54.5 cm

SU Shi, ‘Prelude to the Water Melody’, Entangled Script

2017

Gouache on Paper

79 x 54.5 cm

DU Fu, ‘Quatrains’, Grass Script

2017

Ink on Paper

85 x 55.5 cm

LI Bai, ‘Invitation to Wine’, Entangled Script

2017

Ink on Paper

69 x 69 cm

WANG Wei, ‘The Bamboo Grove Pavilion’, Entangled Script

2017

Acrylic on Acrylic Film

61 x 46 cm

BAI Juyi, ‘Invitation to Liu the Nineteenth’, Entangled Script

2017

Acrylic on Acrylic Film

61 x 46 cm

LI Bai, ‘Night Thoughts’, Entangled Script

2017

Acrylic on Acrylic Film

61 x 46 cm

WANG Wei, ‘Yearning’, Entangled Script

2017

Acrylic on Acrylic Film

61 x 46 cm

MENG Haoran, ‘Spring Morning’, Entangled Script

2017

Acrylic on Acrylic Film

61 x 46 cm

WANG Wei ‘The Ravine of Birdsong’, Entangled Script

2017

Acrylic on Acrylic Board

220 x 120 cm

WEI Zhuang, ‘Melancholy Parting at the Red Tower at Night’, Entangled Script

2017

水墨 紙本 Ink on Paper

200 x 200 cm

SU Shi, ‘Prelude to the Water Melody’, Entangled Script

2017

Ink on Paper

200 x 200 cm

WANG Anshi, ‘Leaving the Mountain in the Steps of the Moon’, Entangled Script

2016

Ink on Paper

152 x 83.5 cm

HUANG Tingjian, ‘Raising a Wine Cup under the Bamboo’, Entangled Script

2016

Ink on Paper

152 x 83.5 cm

WANG Dongling YAN Shu, ‘Sandy Creek Washers’, Entangled Script

2016

Ink on Paper

96 x 178 cm

GONG Zi-zhen, ‘Rise!’, Entangled Script

2016

Ink on Paper

96 x 178 cm

Zhen Ma (Stallion Dynamism)

2016

Ink on Paper

96 x 178 cm

Xun Mu (Flexibility)

2016

Ink on Paper

96 x 178 cm

Li Gui (Radiance)

2015

Ink on Paper

178 x 96 cm


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