Calligraphy Performance and Artist’s Reception
Friday, 15 September 2017, 6 to 8pm
Exhibition Period
15 September – 27 October 2017
Hanart TZ Gallery
401 Pedder Building, 12 Pedder Street, Central, Hong Kong
Poetic Rainbow: The Calligraphy of Wang Dongling
Hanart TZ Gallery is honoured to announce the opening of Poetic Rainbow: The Calligraphy of Wang Dongling, a solo exhibition of works by eminent calligraphy master Wang Dongling, on Friday, 15 September 2017.
In celebration of the exhibition, the gallery has invited Wang Dongling to undertake a live calligraphy performance at the opening. We hope to bring everyone together to celebrate this special moment; please join us!
The theme Poetic Rainbow refers on the one hand to the use of colour in descriptions of nature and life in the writings of Tang and Song poets and in popular lyrics of the period. It also alludes to the unusual way Wang echoes the poetic themes through the use of colour in his calligraphy, employing colour pigments instead of ink, and often writing on coloured paper. The exhibition showcases the many facets of Wang Dongling’s exploration and practice in the art of calligraphy, whether in terms of spirit, medium or display.
The exhibition will feature a range of Wang Dongling’s latest pieces, including his unique Entangled Script. Entangled Script is the culmination of Wang Dongling’s lifelong pursuit of an art that is both universal and Chinese, forward-looking and firmly grounded in the past. Wang Dongling breaks away completely from the implied grid of traditional calligraphy, interweaving individual characters and entire columns into an amorphous field. As the text verges on illegibility, its linguistic meaning becomes an open question. The calligraphic lines take flight in their variations in texture and rhythm, and yet remain tenuously tethered to the text as musical performance is to score and meter.
Another highlight of the exhibition is a set of calligraphies written on transparent coloured sheets measuring two meters in height. Through interaction with the lighting of the space, the lines, texture, rhythm and momentum of the calligraphy are transformed into an encompassing realm of aesthetics, allowing the audience to experience the tension inherent in the “Entangled” calligraphy and its impact in public space.
CHENG Kwok Kong, ‘Years Flowing Like Water’, Entangled Script
2017
水墨 紙本 Ink on Paper
79 x 54.5 cm
SU Shi, ‘Butterflies Enamoured with Flowers’, Entangled Script
2017
水墨 紙本 Ink on Paper
79 x 54.5 cm
XIN Qiji, ‘Green Jade Table: First Full Moon of the Year’, Entangled Script
2017
Gouache on Paper
79 x 54.5 cm
DU Fu, ‘Quatrains’, Grass Script
2017
Ink on Paper
79 x 54.5 cm
James WONG, ‘The Bund of Shanghai’, Entangled Script
2017
Ink on Paper
79 x 54.5 cm
BAI Juyi, ‘Song of the River by Evening’, Grass Script
2017
Ink on Paper
79 x 54.5 cm
TANG Xianzu, ‘Peony Pavilion: Introduction of the Thrush’, Entangled Script
2017
Ink on Paper
79 x 54.5 cm
SU Shi, ‘Prelude to the Water Melody’, Entangled Script
2017
Gouache on Paper
79 x 54.5 cm
DU Fu, ‘Quatrains’, Grass Script
2017
Ink on Paper
85 x 55.5 cm
LI Bai, ‘Invitation to Wine’, Entangled Script
2017
Ink on Paper
69 x 69 cm
WANG Wei, ‘The Bamboo Grove Pavilion’, Entangled Script
2017
Acrylic on Acrylic Film
61 x 46 cm
BAI Juyi, ‘Invitation to Liu the Nineteenth’, Entangled Script
2017
Acrylic on Acrylic Film
61 x 46 cm
LI Bai, ‘Night Thoughts’, Entangled Script
2017
Acrylic on Acrylic Film
61 x 46 cm
WANG Wei, ‘Yearning’, Entangled Script
2017
Acrylic on Acrylic Film
61 x 46 cm
MENG Haoran, ‘Spring Morning’, Entangled Script
2017
Acrylic on Acrylic Film
61 x 46 cm
WANG Wei ‘The Ravine of Birdsong’, Entangled Script
2017
Acrylic on Acrylic Board
220 x 120 cm
WEI Zhuang, ‘Melancholy Parting at the Red Tower at Night’, Entangled Script
2017
水墨 紙本 Ink on Paper
200 x 200 cm
SU Shi, ‘Prelude to the Water Melody’, Entangled Script
2017
Ink on Paper
200 x 200 cm
WANG Anshi, ‘Leaving the Mountain in the Steps of the Moon’, Entangled Script
2016
Ink on Paper
152 x 83.5 cm
HUANG Tingjian, ‘Raising a Wine Cup under the Bamboo’, Entangled Script
2016
Ink on Paper
152 x 83.5 cm
WANG Dongling YAN Shu, ‘Sandy Creek Washers’, Entangled Script
2016
Ink on Paper
96 x 178 cm
GONG Zi-zhen, ‘Rise!’, Entangled Script
2016
Ink on Paper
96 x 178 cm
Zhen Ma (Stallion Dynamism)
2016
Ink on Paper
96 x 178 cm
Xun Mu (Flexibility)
2016
Ink on Paper
96 x 178 cm
Li Gui (Radiance)
2015
Ink on Paper
178 x 96 cm