The Loudest is Silent: Picturing Feng Mengbo
Artist’s Reception
Friday, 8 May 2015, 6 to 8pm
Mini-concert of electronica music performed by Feng Mengbo
Friday, 8 May 2015, 7pm
Exhibition Period
8 May – 2 June 2015
Hanart TZ Gallery
401 Pedder Building, 12 Pedder Street, Central, Hong Kong
The Loudest is Silent: Picturing Feng Mengbo
Hanart TZ Gallery proudly presents a solo exhibition of new works by Feng Mengbo, revealing an exciting new dimension to this celebrated multi-media artist.
Known for his interactive videogame installations and politically-laced Pop language, Feng has over the past two years been working on a new series of wildly inventive, mixed-media paintings created in an inimitable Post-Pop style. In these paintings Feng creates colourful, humourous and sometimes darkly disturbing pastiches whose imagery is drawn from the richness of mass media language, including political posters, cartoons, popular films and video gaming. Traditional artworks are not exempt, as Feng lifts motifs from artists such as Xu Beihong , Qi Baishi and Li Kushan, whose works have been absorbed into mass media language through kitsch appropriations. Painting on a multitude of surfaces– everything from the more traditional xuan paper and canvas, to old-fashioned lenticular prints sourced at Beijing junk shops and plastic drum skins, Feng creates fascinating juxtapositions of invented and appropriated imagery, where familiar “heroic” characters such as Chun Li from Super Nintendo’s “Street Fighter” arcade game and martial arts star Bruce Lee appear in tandem with a Xu Beihong horse or a tacky lenticular landscape scene. Through these sometimes-outrageous compositions Feng is engaging in a revision of the Chinese cultural world, and more particularly of the era that has formed the foundation of the visual imagination of artists of Feng’s generation. By choosing a figure such as Chun Li for his heroine, he is also periodizing history, as she belongs very much to the days of his youth and his childhood memories, both social and familial, and circumscribed in part by impressions of the Cultural Revolution.
The more than 70 new paintings by Feng will be displayed in a salon-style installation at the gallery, and will be accompanied by a “gaming centre” created from four of Feng’s interactive videogame consoles in which the audience can play his Long March: Restart videogame. A monumental two-channel version of Feng’s Long March: Restart has just been shown in the major group exhibition “Scenes from a New Heritage” at the Museum of Modern Art in New York. An enthusiastic musician in the techno and electronica styles as well as an artist, Feng Mengbo will perform in a live mini-concert at the opening reception on 8 May.
Whirlpool
2014
Mixed Media on Canvas
40 x 20 cm
Two Heavenly Steeds
2014
Mixed Media on 3D Lenticular Print
30 x 40 cm
Two Great White Sharks
2014
Watercolour on Chinese Paper
68 x 136 cm
The Ark
2014
Watercolour on Chinese Paper
68 x 136 cm
New Pants I
2014
Mixed Media on Polyester and Aluminum (drum skin)
57 x 57 cm
Farewell to My Concubine
2014
Mixed Media on 3D Lenticular Print
46 x 104 cm
Farewell to Monkey King
2014
Mixed Media on Polyester and Aluminum (drum skin)
57 x 57 cm
Crazy Horse
2014
Mixed Media on Polyester and Aluminum (drum skin)
57 x 57 cm
Chun Li Grieves over Monkey King
2014
Mixed Media on 3D Lenticular Print
40 x 30 cm
Attack from the Air
2014
Mixed Media on Polyester and Aluminum (drum skin)
57 x 57 cm
The Indigo Horse
2014
Mixed Media on Canvas
80 x 40 cm
Chun Li’s Elder Brother
2014
Acrylic on Canvas
80 x 60 cm